From first glance it is patently obvious that Kyra is a beautifully-designed desktop VA Synthesizer — as the wording elegantly emblazoned on its eye-catching front fascia subtly states. As a truly multitimbral instrument it features eight independent ‘parts’ with up to 32 notes per PART, each effectively being a complete synthesizer with sound sources (OSC GROUP 1, OSC GROUP 2, SUB 1, and SUB 2); FILTERS; modulators (EGs, LFOs, and MOD MATRIX); multi-effects unit (EFFECTS); and a USB 2.0 connection — can exchange MIDI (Musical Instrument Digital Interface) information, as well as send the audio from each stereo PART to a computer as eight stereo 24-bit streams at 96kHz (with 48kHz downsample mode available) and one stereo audio return from the computer supporting a single 24-bit stereo audio stream from the host DAW (Digital Audio Workstation). With that being said, the only other resource they share are the four balanced, stereo output pairs — OUT A (Right and Left), OUT B (Right and Left), OUT C (Right and Left), and OUT B (Right and Left) — using 32-bit DAC (Digital-to-Analogue Conversion) running at 96kHz sampling rate connected to four internal stereo busses and that powerful pool of 128 hardware voices. Versatility further abounds as each PART has a dedicated multi-effects unit comprising nine stereo effects modules — namely, three-band EQ, Formant filter, input Limiter, Distortion module, Delay module, six-state Phaser, Chorus flanger, Stereo reverb, and output Limiter — with dedicated audio stream via USB (Universal Serial Bus).
Better still, each PART hosts a Patch from the pool available to the system. Speaking of which, Kyra has a generous Patch storage capacity of 26 banks — A through to Z, each containing 128 patches. That’s a total of 3,328! The first seven banks are ‘user’ patches stored in RAM (Random Access Memory), meaning users can change them quickly and individually using the Store sequence. The remaining 19 banks are ROM (Read-Only Memory) patches that users can recall and use just like RAM patches but cannot be replaced using the Store sequence. It is, however, perfectly possible to freely copy whole banks between RAM and ROM, so all are user- programmable. And any Patch can be recalled via MIDI program changes and Bank select commands.
As a sensational synthesizer with a spectacular specification, Kyra has two primary virtual alias-free oscillator groups (OSC GROUP 1 and OSC GROUP 2) per voice, each with Saw (sawtooth); Wave (waveform) — with no fewer than 4,096 18-bit linear PCM (Pulse Code Modulation) 32x oversampled waveforms covering a huge range of synthetic and emulated sound sources with two wave sources per voice; Pulse; and noise simultaneously available. Also OSC GROUP 1 and OSC GROUP 2 each has an independent detune-able oscillator — SUB 1 and SUB 2 — with four selectable shapes and two selectable (Octave) pitches. Real Hard Sync, ring modulation, and FM (Frequency Modulation) are available between those oscillator groups.
Get this, though: switching from Wave mode — meaning Kyra adopts a virtual analogue synthesis model which has the advantage that it is easy to construct sounds using intuitive subtractive synthesis — to Hypersaw mode configures the voice to use a special algorithm comprising six real oscillators to quickly create lush-sounding soundscapes. Digging deeper, Hypersaw mode replaces Wave mode’s two oscillator groups with a single source whose tonal content is constructed with just two adjustable controls — Hypersaw Intensity and Hypersaw Spread (geometric detuning). Built entirely out of multiple, harmonically-rich sawtooth waves or ‘partials’ each adjusted to that special algorithm, the Hypersaw provides characteristic soundscapes ideal for a wide range of uses — from high-impact lead sounds through to lush, animated pads. Placed in Dual Mode, the Hypersaw has 12 real oscillator sources with an additional adjustable stereo spread.
- Virtual analog synthesis.
- 128 voices.
- 8 parts.
- All sound features can be used simultaneously for each part.
Oscillators per voice
- two Wave osc with 4096 waveforms.
- two Pulse osc.
- two Saw osc.
- two Noise osc.
- two Sub osc with several waveforms.
- Hard Sync.
- Hypersaw Mode.
- Oscillator FM and Ring mod.
- Oscillators are in two groups for better overview.
- 9 simultaneously available effects.
3 band EQ, Formant Filter, Input limiter, Distortion module, Delay module, 6 stage phaser, Chorus flanger, Stereo reverb, Output limiter.
- 3 envelope generators (EG).
- 3 LFOs with 128 shapes each.
- 6-slot Mod Matrix with multiple destinations per slot.
- 12/24db/octave with LP/BP/HP available. Two filters per voice and true stereo signal path available in Dual Mode.
- 26 patch banks (A to Z) with 128 slots each.
- 128 Multi configurations.
- Arpeggiator with 128 preset patterns.
- Octave/key transpose.
- Dual Mode: layers the same sound two times (which can be detuned against each other) .
and provides true stereo signal path, Dual Filters and stereo LFOs.
- Sturdy full metal case.
- 256x64 pixel OLED.
- Kensington lock receptacle.
- USB 2.0 for MIDI and audio.
- 5-pin DIN MIDI In/Out/Thru.
- 4 stereo, balanced, analog audio outputs plus stereo headphone output.
- Kyra can be used as an audio interface to stream a single stereo stream from your computer.
- Kyra can stream its 8 parts individually to your computer via USB in stereo at 24bit/96KHz (48KHz option).
- USB MIDI and Audio 2.0 class complient - can be used with Mac OS and Windows (windows with supplied driver).